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“Max Reeves' photo-essay is an 'Interzone Revisited' for 21C bohemians. It is colourfully accepting of the disappointments of postcolonialism, the rampancy of gentrification, the evanescence of genius (almost without trace) and the homogeneity of neoliberalism. Why? Because the Tangier chapter of globalism's cesspit overflows with lost ghosts, sacred sites, pauperised saints, and totemic feral cats, liberated from their abysm by the click of a button and liberating the eye of the beholder with poetry.” Niall McDevitt